Sep 8, 2021 · The Simpsons as Commedia dell’Arte Archetypes. As the longest running American sitcom and a beloved cultural touchpoint that has entertained audiences the world over, there is no better contemporary parallel than The Simpsons to what Commedia dell’Arte was as an art form hundreds of years ago. Almost anywhere you go in the world, people Commedia dell'Arte, which translates as "professional theatre," began in Italy in the early 16th Century and quickly spread throughout Europe, creating a lasting influence on Shakespeare, Molière, opera, vaudeville, contemporary musical theatre, television sit-coms, and improv comedy. The style of Commedia is characterized by its use of masks opposition between the term commedia dell'arte and the term often attached to the regular drama - commedia eru-dita or erudite drama. Commedia dell'arte is not an easy term to translate or explain, but the word arte means "art" in the sense of "profession" or "trade," and suggests the professional and possibly the commercial nature of this Brighella, stock character of the Italian commedia dell’arte; a roguish, quick-witted, opportunistic, and sometimes lascivious and cruel figure. Originally one of the comic servants, or zanni, of the commedia, Brighella was a jack-of-all-trades whose loyalty as a soldier, hangman’s varlet, Pantomime has its roots in 'Commedia dell'Arte', a 16th-century Italian entertainment which used dance, music, tumbling, acrobatics and featured a cast of mischievous stock characters. Harlequin was the quick-witted miscreant who carried a magic bat, wore a mask and dressed in clothes made of patches. During the 17th century, Harlequin and his Scaramouche is one of the great characters in the Punch and Judy puppet shows (a performative art with roots in commedia dell'arte). In some scenarios, he is the owner of The Dog, another stock character. During performances, Punch frequently strikes Scaramouche, causing his head to come off his shoulders. .

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